Bradbury did the screenplay (loosely adapted from his story “The Lighthouse”) and Harryhausen did the special effects. The Beast from 20,000 Fathoms ended up being their dream-come-true.
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When I first met Ray Bradbury, he talked about being friends with Ray Harryhausen in high school and how they dreamed of making a movie about dinosaurs. So yes, I think this is a case where some post-production work could make a film closer to the creators’ intention.
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In the “Making of” featurette included with my copy of the film, Harryhausen himself said he’d intended to color-correct the film before release. The more I hear, the more I think I need to check this out. That’s fun that you have the possibility of elven tribes, dwarven prospectors and dinosaurs in one setting in your game. Hope you enjoy it when and if you do check out the movie. Vardeman’s Patreon at: Īs a friendly reminder, this blog is supported and kept ad-free in part by my Patreon, which is at: While I’m not generally a fan of tinkering with old movies, I wouldn’t mind seeing a color-corrected special edition of this film where the dinosaurs are each a consistent color. As a result, the dinosaurs have a tendency to change colors from purple to gray to green from scene to scene. The only real problem with the effects happened because the film’s post-production was rushed and Harryhausen was never allowed to color correct his footage. There’s a scene where the rodeo riders attempt to lasso Gwangi and Harryhausen seamlessly blended the live-action and stop-motion photography. As always, Ray Harryhausen’s stop-motion monsters are a marvel to behold. and Tuck in a cathedral.Īll in all, the movie is great fun and a terrific example of a Weird Western story.
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In a finale reminiscent of King Kong, Gwangi breaks free and rampages through the town where he corners T.J. Eventually, the cowboys capture Gwangi and take him back to town.
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Our rodeo riders take refuge in a cave that foreshadows the Land of the Lost TV series I watched as a kid. From this point on, the movie becomes full-on cowboys versus beautiful Ray Harryhausen dinosaurs. The rodeo riders decide it would make an even better attraction than Eohippus, so they chase it, only to have the dinosaur snapped up in the jaws of Gwangi, an Allosaurus. After dealing with the flying creature, they encounter a small plant eating dinosaur. Once in the valley, our heroes discover that Eohippus isn’t the only prehistoric creature living there. The rodeo men clear out some rocks and soon our band goes riding into the valley. It turns out the Eohippus didn’t go into a cave, but entered a passageway leading to the Forbidden Valley. T.J., Tuck, Horace, and the rodeo riders set out after it. After sorting out what’s going on, Tuck nearly recaptures the Eohippus, only to have it disappear into a cave in the cliff face. They all soon arrive just outside the Forbidden Valley. T.J., Carlos, and several of the rodeo riders set out after Tuck. Unfortunately, Carlos saw Tuck and thinks he’s responsible for the theft. Tuck sees the gypsies leaving and discovers they’ve taken the Eohippus. To get the horse, the gypsies have to knock out one of T.J.’s men, Carlos. Bromley, of course, is interested to see what other creatures might live there. The leader of the gypsies say the little horse is cursed and convince Bromley to capture the horse and return it to Forbidden Valley. He declares it’s the prehistoric horse, Eohippus. A paleontologist named Horace Bromley, recognizes the animal as no ordinary horse.
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Gypsies brought her a tiny horse from Forbidden Valley and she expects it will be a great attraction. Her former boyfriend, Tuck Kirby, wants to buy her out, but she doesn’t want to sell. Breckinridge runs a struggling rodeo on tour through Mexico in the early 20th century. The film starts off looking like it’ll be a pretty ordinary western. Cowboys and dinosaurs meet in The Valley of Gwangi